The Process

It all begins with a lightly
grogged, stoneware clay
body, which is compressed
rather than stretched to eliminate
warpage issues. A variety of gravity
defying molds are laid up by hand and
support the pieces until dry. Once removed
they are signed and allowed to dry completely.
After a single firing to cone 04 flat, (approx. 2000 degrees)
an airbrush begins to bathe the surface with its first few layers of
acrylic stain. The image develops as these stain layers multiply to
create both a sense of vastness and intimacy. Frequently, ceramic
shards and other details such as wire are attached post color to accentuate
key areas. The plates are wired to hang with a fixed horizon, and the panels
have plywood backs attached with the wire providing the option of two axis hanging.
There is an acrylic emulsion sealcoat on each surface to protect from moisture absorption. Although outside installation is welcomed, direct sunlight isn’t nice to any surface. All work is done individually, to maintain an original, one of a kind quality.